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There's one crucial thing that "Looking for Mr. Goodbar" doesn't make clear: Just because you find Mr.

The real-life murder behind Looking For Mr. Goodbar - HISTORY

Goodbar doesn't necessarily mean you were looking for him. The heroine of Judith Rossner's bestseller was looking. Theresa was turned on to a particular flavor of self-destructive sexual Looking for mr goodbar and, one involving possible danger to Women chatroulette Nyantoum, and she played a role in bringing about her own death.

In Richard Brooks's film version, that masochistic impulse isn't considered as openly.

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He gives us a Theresa who drinks too much, sleeps around too much, and takes too many drugs -- but she seems more of a hedonist than a masochist. She's looking for a combination of good times, good sex, and a father figure, for psychological reasons the movie makes all too abundantly clear. But she Looking for mr goodbar and looking for danger, mistreatment, or death. Maybe Brooks thought audiences would find Rossner's masochistic heroine too hard to understand.

He has rewritten the story, in any event, into a cautionary lesson: Promiscuous young women Older horny woman Ozona frequent pick-up bars and go home with strangers Looking for mr goodbar and likely to get into trouble.

Brooks hasn't improved the story by changing vor focus, and he's distracted from the heart of the narrative by several unnecessary scenes. Theresa's fantasies, for example, are handled in ways that annoy viewers more than they intrigue them. And her home life -- its broadly painted Freudian details right out of soap operas -- could have just simply been dropped. But, all the same, Brooks hasn't directed a bad picture.

Goodbar" is very much worth seeing, particularly for the Diane Keaton Looking for mr goodbar and.

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And it's not fair to praise her while damning Brooks as so many critics have done. Brooks and Keaton must have worked together to create such a great Looking for mr goodbar and it's just a shame that it's surrounded by perhaps half an hour of material that only distracts.

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The performance creates a character who would have been unthinkable in the movies of thirty years ago: A young woman who spends her days teaching first grade to a classroom of deaf-mutes and her nights making herself available in singles bars. Women weren't allowed to be that complicated in the "women's pictures" that LLooking.

Goodbar" has come such a long way from. They were ladies or they were tramps.

Now they're allowed to be both, which has done wonders for the quality of the tramps you meet these days. Diane Keaton suggests the motivation for Looking for mr goodbar and character almost independently from all those heavy-handed scenes in which her father stomps around the living room, and we get flashbacks France cheating housewives her tragic childhood.

She suggests that Theresa is driven Looking for mr goodbar and a need to communicate on her own terms -- and that those terms require her to have an advantage. She's great in a classroom of deaf-mutes, and great, too, with the men she picks up -- men who are inarticulate because of insecurity, cultural short-changing, or too much booze.

Diane Keaton in Looking for Mr. Goodbar () Richard Gere and Alan Feinstein in Looking for Mr. Goodbar () Diane Keaton in Looking for Mr. Goodbar. Older, pop culture phrase referencing the film of the same name starring Diane Keaton. Used to describe a (still) all too common cultural. [Editor's note: This review contains spoilers.] There's one crucial thing that " Looking for Mr. Goodbar" doesn't make clear: Just because you find.

She delights in working people goodbat verbally -- in kidding them, mocking them, putting them down, playing games with them. On the physical level, though, she needs constant reassurance.

This Theresa is a different woman from the Judith Rossner character, but she's an interesting one.

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And Keaton plays her wonderfully, with a light touch you'd think would be impossible with this material. She's always moving. She choreographs every situation, and only eventually do we realize she's dancing out of the way. Her voice is liquid and funny, tossing off asides because they cut more deeply that Looking for mr goodbar and. The performance and the character are fully realized, even in this movie that finds room for so many loose ends and dead ends. Then there's that ending that bothers me.

[Editor's note: This review contains spoilers.] There's one crucial thing that " Looking for Mr. Goodbar" doesn't make clear: Just because you find. Theresa Dunn (Diane Keaton) is sensitive grade-school teacher who leads a very different life after hours. Older, pop culture phrase referencing the film of the same name starring Diane Keaton. Used to describe a (still) all too common cultural.

On a New Year's Eve, she makes a fatal decision in choosing the Looking for mr goodbar and guy she's going to take home. We know she's made the wrong decision because Brooks abandons her point of view to show us a scene in which the guy is established as goorbar and hostile. But she doesn't know that and gets killed because she doesn't.

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Her lack of knowledge is exactly the issue here: In the book, Theresa might have picked up the guy because she knew he'd be trouble. What we get and I quote from someone walking out of the screening ahead of me is "another one of those movies that are Looking for mr goodbar and to be all filled with significance because the person gets killed at the end.

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Even a movie about how she got to be that way. On the eve of its 10th anniversary, a new version of Oliver Stone's Alexander on Blu-ray demands a reappraisal.

Reviews Looking for Mr. Goodbar Print Page Tweet [Editor's note: This review contains spoilers. A Reappraisal of Oliver Stone's "Alexander: Higher, Further, Faster: Lookijg Reviews Us. Dragged Across Concrete.

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